Conservative Focus on the Negative

Considering ideological predispositions, there is one study I came across that I’ve never focused on before. I realized it allows for useful perspective on a particular distinction and on general confusion.

The study had to do with what people focus upon. The conclusion of the results was that conservatives spend more time focusing on that which they perceive as negative whereas liberals spend more time focusing on that which they perceive as positive. Now, that is beyond interesting.

It makes sense according to other research.

Conservatives are shown to on average have a higher fear/disgust reesponse. It’s easy to see this just by observing politics where conservatives often have long lists of all the things they are against. This was obvious with the Tea Party. It can lead liberals to calling them obstructionists.

Liberals, on the other hand, tend to be drawn toward the new and different, toward possibility and change. Liberals often push visions of hope wtih optimism and expectation about what good can be achieved. This was heard particularly in Obama’s first campaign. But conservatives see it as naive and moreso dangerously naive.

Liberals point out the positive results being blocked by conservatives. And conservatives complain about the negative results they fear from the agenda liberals push.

This made me wonder about the debate on the nature of conservatism. Is conservatism most fundamentally about defending tradition against change? Or is conservatism more primarily motivated by reaction to what it is against?

This could appear like simply a difference of emphasis, but it is an emphasis that might make a world of difference. A difference of emphasis could cause a drastic difference in political behavior and policy. This is what Corey Robin argues in his theory of reactionary onservatism. He actually argues that it goes past just emphasis, and he makes this argument by pointing how contemporary explanations of conservatism don’t fit the actual ideological history of conservatism.

What is intriguing about Corey Robin’s argument is that I don’t think he is claiming or even implying that conservatives are necessarily trying to be deceptive. Most conservatives probably believe the narrative told of conservatism as traditionalism.

The disconnect maybe just comes from the typical human challenge of self-awareness and self-understanding. Often, outsiders have more perspective to objectively assess a group or movement. This would be true for liberals as well, and I’d love to see a non-liberal write an equally compelling analysis of liberalism.

I have no desire to repeat Corey Robin’s argument here. Instead, I’ll follow a recent line of thought I’ve had about popular entertainment. What many see as liberal entertainment I’d argue is actually conservative in the reactionary sense. Two examples of this are film noir and action movies.

The argument for these genres being liberal is that authority figures often aren’t the heroes, sometimes the authority figures are challenged by or even disrespected by the heroes who not unusually are lone vigilantes. Furthermore, these movies often glorify what traditionalist-identifying conservatives claim to be against: sex, violence, etc.

The argument for reactionary conservatism, however, brings forth an explanation that seems to be confirmed by the study I mentioned above. These movies are conservative precisely for the reason that they are obsessively focused on all the issues that cause conservatives to feel fear or disgust. They are being invoked in presenting a sense of moral order or the need for renewal of moral order, even if only manifest in the hero fighting the good fight or standing by his personal principles.

This is where the confusion is brought to the surface. At least for conservatives, the best way to see what they are about is by looking at what they are against. Film noir and action movies probably will tell you more about conservatism than even the most scholarly tome written by a conservative thinker.

Self & Other in the Movies: Redemption or Destruction?

“Man’s greatness comes from knowing he is wretched.”
 ~ Blaise Pascal

Walking through the cemetary last night, my friend mentioned the movie District 9. It turned out we both had watched it this past week, but my friend didn’t finish watching it because he didn’t like it. So, we discussed the merits (or lack thereof) of the movie as we walked among the headstones.

For some reason, I was reminded of the movie Falling Down. I told my friend that I wanted to see that movie again sometime and he asked me why I thought of it. There were two reasons.

The first reason had to do with the similarity between the District 9 bureaucrat (Wikus van de Merwe) and the Falling Down businessman (William “Bill” Foster, aka D-FENS). Both are pathetic ordinary guys. They lived their lives playing by the rules. All they wanted was the normal mediocrity that was guaranteed to them as boring middle class white guys. 

The second reason was more generally about where my mind has been focused lately. I think I might’ve seen Falling Down used as an example in something I was reading lately. Anyways, it made me think of Glenn Beck being inspired by Howard Beale’s “Mad as Hell” speech in the movie Network. Howard Beale is another example of the middle class white guy being forced out of his contented stupor. So, it seemed to me that Beck would be similarly inspired by William Foster of Falling Down.

Bill Foster: I’ve passed the point of no return. Do you know what that is, Beth? That’s the point in a journey where it’s longer to go back to the beginning. It’s like when those astronauts got in trouble. I don’t know, somebody messed up, and they had to get them back to Earth. But they had passed the point of no return. They were on the other side of the moon and were out of contact for like hours. Everybody waited to see if a bunch of dead guys in a can would pop out the other side. Well, that’s me. I’m on the other side of the moon now and everybody is going to have to wait until I pop out.

Falling Down largely puts this into a class context with obvious racial tensions. It’s not just the ordinary guy refusing to take it anymore. It’s the middle class white businessman refusing to take it anymore, the middle class white businessman who is the ultimate symbol of the American normalacy we all are supposed to strive towards. This middle class white businessman is frustrated, but his frustration doesn’t cause him to feel sympathy for all of those who have been frustrated their entire lives. No, he sees the poor and the minorities, the gangsters and other dregs of society who have refused to play by the rules, as the source of his frustration. Even the Korean shop owner is seen as an enemy simply for the perceived insult of charging too much for a soda. 

Why should these poor people and these minorities be allowed to get the better of good Americans? All the hardworking middle class white businessman wants is to be a good American and be rewarded for playing by the rules. Yet, he realizes that life isn’t fair and so he seeks retribution for this perceived loss of moral order. What he doesn’t realize is that life never was fair (even when it was personally benefitting him in the past), that life isn’t fair for anyone.

Bill Foster: I helped build missiles. I helped protect this country. You should be rewarded for that. But instead they give it to the plastic surgeons, you know they lied to me.
Sergeant Prendergast: Is that what this is about? Is that why my chicken dinner is drying out in the oven? You’re mad because they lied to you? Listen, pal, they lie to everyone. They lie to the fish. But that doesn’t give you any special right to do what you did today.

Howard Beale, at least, realizes that they’ve been lying to us all… and not just to middle class white guys. Beale’s speech evokes populist discontent and righteous anger. Beale is portrayed as noble in his standing up and speaking out. Foster lacks any such noble qualities. In District 9, Wikus could’ve gone down the path of Falling Down, but eventually his sympathetic side wins out. The difference is that, where Foster clearly holds himself above all those he condemns, Wikus is literally turning into one of the aliens he had previously treated, in his role as a heartless bureaucrat, as being below him. Foster dies never doubting his own righteousness towards others and Wikus risks his own life in righteously defending the Other.

It would be too simplistic to portray Foster’s anger as mere racism. Foster has no more love for the rich white guys on the golf course than he has for the Latino gang. It’s the rich guys like them who fired him without any care for his fate. You’d think this might make him feel sympathy for all the people who have been likewise screwed over by the wealthy elite, but that isn’t what he feels. As I see it, Foster is mad not because he doesn’t believe in the American Dream of the good life but because he does believe in it and believes he deserves it. On the other hand, Beale and Wikus seem to come to some understanding that the good life they had known is not real or not worthy and so they don’t look for easy targets on which to project their frustration.

At this point in my discussion with my friend, I was reminded of A Scanner Darkly (of which I’m often reminded). In Scanner, the protagonist Bob Arctor remembers (or else has a vision) of once having lived the good life, of having  had a nice house with a perfect family. It’s in that scene he realizes he didn’t ultimately hate the momentary pain of life’s events but rather he had felt hate for how his life had once been, the life that wasn’t real and that hid the deeper pain of a world without meaning or wonder. Arctor hated what that dream of the perfect life represented. The perfect family and home weren’t as perfect as they appeared. Society and human relationships are filled with endless deception. No matter how comfortable the fantasy, it’s not enough. The realization that the dream is fake is a good thing because only in knowing what isn’t real can one then seek out that which is real.

Foster is deluding himself that if he can just get back home that the world will somehow be put right again. By tightly holding onto his dream of normalacy, he ends up hurting almost everyone he meets. As portrayed in Scanner, facing reality isn’t always pleasant… even so, there is something worthy in it. The key element is the willingness to self-sacrifice. Foster instead chooses self-destruction that achieves no end other than self-righteousness. Foster is shocked to discover that he is seen as being the “bad guy”, but he doesn’t ask for forgiveness for the destruction and suffering he has left in his wake. 

I thought of one last example of this narrative: American Beauty. Lester Burnham is yet another middle class white guy who had been living the American Dream and found it lacking. When confronted with this situation, there are many possible responses. At first, Lester responds by becoming infatuated with his daughter’s friend. So, he turns from the fantasy of career to the fantasy of youthful desire, but something stops him from following through with this infatuation. He sees the young girl as a real person and not merely an object of his desire. He seems to realize that he doesn’t want to harm another simply because he himself feels hurt by life.

Interestingly, both A Scanner Darkly and American Beauty end, after everything going wrong, with a vision of beauty. Quite differently, Network and Falling Down end on a note of almost pure cynicism. District 9 just ends with self-conscious movie cliche silliness.

However it ends, I find it a compelling story when the middle class white guy is thrown out of his middle class white world. But why is it compelling? Should we pity the middle class white guy who has been forced to face the everyday suffeing most of humanity faces all of the time? Should the middle class white guy feel sorry for himself because he has lost the sense of comfort that his socio-economic class normally provides? Why, as a society, are we obsessed with telling (and being entertained by) stories about the struggles of middle class white guys? Is it compelling because the middle class white guy as the collective symbol of normalacy represents our collective sense of self? If the middle class white guy loses his direction, will our whole society collapse? Is the middle class white guy the moral compass of modern Western Civilization?

I could leave it on the level of social criticism of middle class white guys and our fascination with them, but there is another context I wanted to throw in. The theme of the superficial normalacy of American culture has been explored in Film Noir and Neo-Noir. Starting with the first Philip K. Dick adaptation (Blade Runner), Science Fiction has become a popular form of Neo-Noir. Like much of Philip K. Dick’s work, A Scanner Darkly also has Noir elements. Important elements of Noir and Neo-Noir are memory and identity. None of the movies I’ve discussed are specifically Noir, but for all of them identity is the most central element in that the characters have their identities shaken to the core. In Arts of Darkness, Thomas S. Hibbs discusses American Beauty (p. 193):

Not technically a noir film, American Beauty does overlap with noir in a number of respects: in its use of flashback and voiceover; in its focus on a character who is already dead (D.O.A.); in its assumption that the source of American alienation is somehow connected to the infiltration of consumerism into the very heart of intimate relations; in its theme of a doomed quest; and in its setting of the final, crescendo of violence at night in rain. American Beauty is also a deeply, if not entirely coherent religious film that, according to at least one perceptive Christian film critic, can help viewers see “the world as it truly is: resplendent and suffused with a radiant, implacable love that shows itself in the exquisite beauty of the very fabric of the created world.

Hibbs, a few pages later, points out an important insight (p. 199):

A more consistent critique of capitalism as source of brutality can be found in Wendell Berry’s essay “Sex, Economy, Freedom, and Community.” Berry argues that giving free reign to capitalism wipes out local communal life, leaving individuals isolated and powerless in the face of large, impersonal forces. The proper, mediating role of the community is lost and individuals, liberated from local traditions and communal expectations, are increasingly subject to the whims of national bureaucracies and international markets. One of the problems with the “family values” espoused by conservatives is that it often leaves the nuclear family to itself, isolated amid an increasingly hostile economic and social order. Family values are also quite compatible with what Tocqueville identified as one of the great vices of modern politics: individualism. Tocqueville contrasted egoism, which elevates the satisfaction of one’s own desires above all else, with individualism, which is a “a mature and calm feeling” that disposes each person to “draw apart with his family and friends” and ” willingly leave society to itself.” The consequence of this sort of individualism, according to Berry, is the loss of the sense of marriage as anything other than a contract between two isolated individuals: “If you depreciate the sanctity and solemnity of marriage, not just as a bond between two people but as a bond between those two people and their forbears, their children, and their neighbors, then you have prepared the way for an epidemic of divorce, child neglet, community ruin, and loneliness.”

This brings me back to my social criticism of the white middle class guy who is the symbol of our consumerist society. He is the head of the nuclear family and the traditional breadwinner. The role of the individual has become so constrained, so narrow that this role takes on ultimate significance. When the white middle class guy loses his job or family, the center can no longer hold. There is no larger community for him to turn to, there is no other respectable role he can take up. However, at the same time, this role that gives him the only meaning he knows also confounds any search for greater meaning. It’s what Thoreau described as “lives of quiet desperation”.

This “quiet desperation” is often portrayed in the form of bureaucracy. In Falling Down and American Beauty, the protagonists just lost their important positions in large bureaucratic companies. In District 9, Network, and A Scanner Darkly, the protagonists are caught up in the machinations of bureaucracies. This mind-numbing, soul-killing bureaucracy is what Max Weber called the Iron Cage. From the Wikipedia article:

Iron cage, a sociological concept introduced by Max Weber, refers to the increased rationalization inherent in social life, particularly in Western capitalist societies. The “iron cage” thus traps individuals in systems based purely on teleological efficiency, rational calculation and control. Weber also described the bureaucratization of social order as “the polar night of icy darkness”.

[ . . . ] Weber states, “the course of development involves… the bringing in of calculation into the traditional brotherhood, displacing the old religious relationship.”

Modern society was becoming characterized by its shift in the motivation of individual behaviors. Social actions were becoming based on efficiency instead of the old types of social actions, which were based on lineage or kinship. Behavior had become dominated by goal-oriented rationality and less by tradition and values. According to Weber, the shift from the old form of mobility in terms of kinship to a new form in terms of a strict set of rules was a direct result of growth in bureaucracy and capitalism.

[ . . . ] Because of these aforementioned reasons, there will be an evolution of an iron cage, which will be a technically ordered, rigid, dehumanized society. The iron cage is the one set of rules and laws that we are all subjected and must adhere to. Bureaucracy puts us in an iron cage, which limits individual human freedom and potential instead of a “technological utopia” that should set us free. It’s the way of the institution, where we do not have a choice anymore. Once capitalism came about, it was like a machine that you were being pulled into without an alternative option; currently, whether we agree or disagree, if you want to survive you need to have a job and you need to make money.

[ . . . ] “Rationalization destroyed the authority of magical powers, but it also brought into being the machine-like regulation of bureaucracy, which ultimately challenges all systems of belief.”

I first learned of Weber’s ideas about bureaucracy from the book The Trickster and the Paranormal by George P. Hansen. In that book, Hansen describes the eternal conflict in our society between the forces of bureaucratic order and the forces that are beyond control. The Trickster archetype can never be entirely removed or entirely protected against. It’s the role of the Trickster to explode the alien chemicals in the face of Wikus in District 9. It’s the role of the Trickster to create such confused self-deception in A Scanner Darkly. If nothing ever went wrong, there wouldn’t be any reason to tell stories. No satisfying story ends exactly as it begins. Some learn to accept the role of the Trickster and they hold less tightly onto the story they were telling themselves. Those who do try to hold onto their self-justifying stories typically become tragic anti-heroes like in Falling Down and tragic anti-heroes have tragic ends.

Yes, “they” are lying to us, but it also must be understood that “they” are lying to everyone… including to themselves. We are all caught up in a system of lies. This relates to Weber’s Iron Cage or, to put it in the light of gnosticism, what Philip K. Dick called the Black Iron Prison. Ultimately, we should worry more about the lies we tell ourselves than the lies that others tell us. Most of the time, we believe the lies of others because we want to believe them, because we have internalized some fundamental lie that our society is built upon. If you must, scream out the window that you’re mad as hell and aren’t going to take it anymore. Then, after doing so, take a look at yourself in the mirror.

Let me end this with the context of real life.

I mentioned Glenn Beck in relation to Network. I find that fascinating considering that Glenn Beck idolizes a fictional character who ends up being assassinated for speaking out against the powers that be. What is sad about Howard Beale, and hence what is sad about Beck, is that he looks outward trying to find the source of the problem. As I recall, Beale doesn’t come to any grand realization as does Bob Arctor and as does Lester Burnham. Both Beale and Arctor are possessed by paranoid visions which isn’t the problem in and of itself. Their paranoia correctly detects real conspiracies and real deceptions, but there is a difference that matters. Arctor, through profound self-questioning, transforms his paranoia into a spiritual vision.

It’s with this contrast between Beale and Arctor that I rest my own personal struggles. I can’t entirely blame the Beales and Becks of the world for ranting against injustice. I can’t even entirely blame the Bill Fosters of the world for going on their rampages. In the real world, Bill Foster in Falling Down is Joe Stack flying his plane into the IRS building. I understand how a person can feel overwhelmed by the frustration and hopelessness. The rug gets pulled out from under us (whether it’s losing your job or having alien chemicals sprayed in your face) and one is forced to respond. Most will try everything they can to make it go back to the way it used to be, but this inevitably fails. In place of what was lost, some latch onto convictions and others seek retribution. I personally prefer those who seek understanding and those who try to find a way to end the cycle of suffering. Such things as family and career won’t save you and neither will such things as politics and religion. My sense is that genuine salvation is much more personal and existential. Like Bill Foster, it’s all too easy to become the enemy that one wishes to fight against. Righteous anger is a dangerous drug which is highly addictive. I understand the allure of self-righteousness, but I’d like to believe there is some other option… beauty, love, compassion, self-sacrifice… I don’t know… something…

Nonetheless, whether or not we are able to gain something we deem a worthy exchange, it is undeniably clear that most often what is lost can never be regained. As Thomas Wolfe so famously said:

…you can’t go home again… back home to your family, back home to your childhood, back home to romantic love… away from all the strife and conflict of the world… back home to someone who can help you, save you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time – back home to the escapes of Time and Memory.

I do, however, hope that at least some semblance of truth can be found or else just the awareness of the edges of knowledge. I admit I’d love to experience a transformative vision or attain some gnosis about the world, but there is no guarantee about anything and I suppose that is the only truth we can rely upon. We can’t know what lies ahead and so that is why we try to hold onto past certainties. Still, I think Bob Arctor was lucky in having entirely lost his former self. It seems to me that it was because he had no past to weigh him down that he was able to see the world in a way no one else could.

“I saw Death rising from the earth, from the ground itself… in one blue field.”

The Darkness of God

I came across the view of God as described by Pseudo-Dionysius (AKA Dionysios or Denys the Areopagite).  It reminded me of Thomas S. Hibbs use of Blaise Pascal’s theology to gain a deeper understanding of Noir.  Hibbs focuses on the idea of God as hidden.  This also connects to various other writers I enjoy who comment on Noir especially in terms of Gnosticism (to be specific Victoria Nelson and Eric G. Wilson).  Along with all of this is the ancient connection of the divine with fear and terror, the experience of God as an overwhelming force such as what Job faced.

However, trying to write in detail about all of that in a single post would be more effort than motivation and time at present allows.  So, I’ll just share the following passage from Denys Turner’s book The Darkness of God: Negativity in Christian Mysticism (pp. 24-25).

Denys is quite emphatic about this and he repeats the warning on several occasions, so fraught with dangers did he consider a limited theological vocabulary to be.  In a pioous vocabulary of unshocking, ‘appropriate’ names, lies the danger of the theologian’s being all the more tempted to suppose that our language about God has succeeded in capturing the divine reality in some ultimately adequate way.  Tactically preferable is the multiplicity of vulgar images which, because they lack any plausibility as comprehensive or appropriate names, paradoxically have a more uplifting efficacy: ‘Indeed the sheer crassness of the signs is a goad so that even the materially inclined cannot accept that it could be permitted or true that the celestial and divine sights could be conveyed by such shameful things’.

There is good practical sense in this.  A ‘golden and gleaing’ God is too like what we might choose to praise; a God ‘enraged’, ‘cursing’ and ‘drunk and hungover’ might have greater power to shock us into a sense of divine transcendence by magnitude of the metaphorical deficiency.

Book Review: The Secret Life of Puppets by Victoria Nelson

This book is one of the best I’ve ever read. My copy is heavily underlined and well-thumbed. There are few authors that connect the topics she does in the way she does it, and there are even fewer who do so with such insight. It’s a hard book to describe as it includes much: puppets and humanity, reality and imagination, philosophy and religion, film and fiction, high and low culture. It’s a fairly large book at around 300 pages of text and also there are useful notes in the back. Even though her ideas may be above the head of the average person, her writing style is easy to follow. If you’re a somewhat curious and minimally intelligent person, then what you’ll probaby enjoy about this book is learning new ideas and discovering new authors. I’m very well read and I came across a number of things I’d never heard of.

Two topics Victoria Nelson covers that are of particular interest to me are Gnosticism and Noir. If you like these topics, then another book you’d like is Eric G. Wilson’s The Melancholy Android: On the Psychology of Sacred Machines and Secret Cinema: Gnostic Vision in Film. Wilson is directly influenced by Nelson. There aren’t many books that look at the religious aspects of Noir, but another one is Thomas S. Hibbs Arts of Darkness: American Noir and the Quest for Redemption. Somewhat oddly, a major connection for these authors is that they all discuss Philip K. Dick who is a favorite author of mine. Dick was mainly a fiction writer, but also wrote non-fiction about what it is to be human in terms of philosophy, religion, and science (in particular the subjects of Gnosticism and androids). If you read Philip K. Dick’s non-fiction, it will give you a richer perspective on the meeting of high and low culture (which is an emphasis of Nelson and Wilson)and on the dark quest for redemption (which all of these authors touch upon). Two Philip K. Dick books I’d recommend are The Shifting Realities of Philip K. Dick: Selected Literary and Philosophical Writings and In Pursuit of Valis: Selections from the Exegesis. If you want a clear overview of Philip K. Dick’s philsophical and religion thoughts, then you should read Pink Beams of Light from the God in the Gutter: The Science-Fictional Religion of Philip K. Dickby Gabriel McKee.

Some of Nelson’s best insights revolve around the notions of imagination and reality, sanity and insanity (which are typical Philip K. Dick topics in both his fiction and non-fiction). This is where she discusses various genre writers (for example, Poe, Lovecraft, Schultz and Kafka) and where she explores the connection between psychology, spirituality and creativity. If you’re intellectually fascinated by imagination and creativity, then there are some truly awesome books out there that would give even greater context to the already large context that Victoria Nelson provides. I’d guess that much of the groundwork for Nelson’s thinking comes from the Jungian tradition of thinkers and she references Carl Jung a number of times (but she also discuses Freud). If you’re interested in further reading about the imagination, then check out these other books: Dream & the Underworld by James Hillman, Imagination Is Reality: Western Nirvana in Jung, Hillman, Barfield, and Cassirer by Roberts Avens, Daimonic Reality: A Field Guide to the Otherworld by Patrick Harpur, and The Trickster and the Paranormal by George P. Hansen.

Besides my mentioning a number of related books, I’d consider The Secret Life of Puppets to be very unique. There are many books out there about these kinds of topics, but she brings it together in a very compelling way. These ideas easily could’ve become lost in abstract intellectuality if handled by a lesser writer.

Lone Star: Western, Noir, Romance

 

I just watched the movie Lone Star.  It’s all around good movie.  The script and acting were solid, and the mixing of past and present was very smooth.  I wouldn’t call it a great movie.  It’s just quality Hollywood fare.

There was one thing that intrigued me about it though.  Outwardly, it was a contemporary Western with good guys and bad guys.  However, the story was more complex than good versus bad because the good couldn’t be determined until the truth had been discovered.  So, this is where it had an element of Noir to it, but nowhere near as dark and tragic as typical Noir. 

Where it was most like Noir was in the idyllic surface of a small town with old secrets that no one wants to talk about.  Along with this, there is the detective-like character who is determined to discover the truth no matter what.  He is the rugged american individualist type with his personal code of ethics, and that is where the Noir elements connect with the Western setting of the story. 

So, this Westernized Noir replaces the Noir oriental aspect with latino culture.  What would be the femme fatale is latino, but although she is part of the dark past she doesn’t try to pull the hero down.  Instead, there is an easy, almost too easy, resolution at the end.  Even though the past hangs heavy, the hero manages to escape its hold.  This is where it departs from most noir, but then again it’s not entirely unkown for noir protagonists to find redemption.  He avoids self-destruction because he is interested in the truth and not vengeance or even legalistic justice, and this aspect is pure Noir for the protagonists in Westerns aren’t usually all that interested in truth.

Some further clear elements of noir are the flashbacks.  It reminded me of Citizen Kane because a central character is never seen in the present even though everyone talks about him.  He is present by his absence.  The question is whether he was the good guy that everyone made him out to be.

The Western setting is interesting as it seems so different from Noir.  The latter emphasizes the human world of cities, and it’s as if humans are trapped in their own human world.  Lone Star begins with a scene of the wide desert which makes the human world seem small.  Noir films are filled with stark contrasts of shadow and light whereas the desert is brightly lit.  However, the desert creates a similar starkness that serves a similar purpose as that of Noir. 

The camera work mostly isn’t very much in the noir style, but there are scenes that have a noir feeling.  Near the beginning, a police officer approaches some young men sitting on a truck.  It cuts to an image of his approaching as seen in the reflection of a mirror.  The kid in the truck is working on it and so is laying on his back.  The kid looks up and sees (and the audience sees with him) the officer upside down.  The use of reflections and odd camera angles is something Noir uses often, but it’s only occasionally used in this movie.

The story felt very familiar even though it was done in a fairly complex way.  It wasn’t fully Noir or fully Western, but it melded them together.  Also, by mixing in the happy ending of a Romance, it tamed the darker streaks of both Noir and Western films.  Romances necessitate clear resolutions which neither Noirs nor Westerns need.  Especially for Noirs, clear resolutions are rare.  In Lone Star, the mystery is solved and the ending was a bit anti-climactic.

Just Some Related Ideas and Writers

I tend to think in terms of connections, but when writing about any particular subject I’ll only be emphasizing certain connections.  Still, all the other connections are at the background of what I’m trying to convey.  A minor frustration is all of this background can’t easily be conveyed and so what gets communicated is simply an uprooted plant.  So, this post will be my humble attempt to elucidate this web of ideas, subjects, traditions, and writers.  But of equal importance I wish to demonstrate that these connections exist outside of my mind in the actual world… meaning in other people’s minds as well.

 

The Beginning: Historical Context

A) Ancient World: Religion and Philosophy

So as to be orderly in my presentation, let me start at the beginning… not the beginning of my own thinking but rather the beginning of the Western tradition.  I’ve already written about much of this in prior posts (for example: Graeco-Roman Tradition, Development of Christian Mysticism, and Mani’s Influence).  My thinking about this subject is informed by authors such as Acharya S (aka D.M. Murdock), Robert M. Price, Earl Doherty, Tom Harpur, Timothy Freke and Peter Gandy; and I would also add Karen Armstrong and Richard Tarnas

Basically, during the Axial Age, Greek and Egyptian thought formed Hellenism which was later incorporated into and formalized by Roman culture.  At around this time and before, Jews were being influenced by Hellenism and the culmination of this was the Alexandrian Jewish community.  Jews had in the past been influenced by many cultures, borrowing wholesale at times some of their myths and theologies (including maybe Monotheism which was an idea both in the Egyptian and Greek traditions).  Mixed in with all of these were Persian influences such as Zoroastrianism.  Out of this, Christianity arose precisely with the arising of Rome.  Romans brought the synthesizing of Hellenism to a new level and they were constantly seeking a universal religion to unite the empire, such as Serapis worship, Pax Romana, and Romanized Christianity… of course these Roman universal religions themselves became mixed over the early centuries of the common era. 

Anyways, Gnosticism was either the origin of Christianity or else one of the earliest influences on Christianity.  Gnosticism was connected with the traditions of NeoPlatonism and Hermeticism.  An interesting aspect of Gnosticism is that it’s adherents sometimes used scientific knowledge to explain some of it’s theology.  This merging of the spiritual and the scientific would be carried on in various traditions.  Besides Gnosticism and Hermeticism, the offspring traditions Cabala and Alchemy speculated to great degrees about the physical world.  This line of thought seems to have been particularly focused in Germany.  The German mystics helped many of these ideas to survive.  These mystics emphasized the sympathy between the microcosm and the macrocosm and also the merging between the subjective and the objective.  The Reformationists were influenced by all of this even though they focused less on the mystical.  Paracelsus lived during the Reformation and was influenced by both the mystic tradition and the Reformation (which he didn’t identify with).  Most directly, he initially was more interested in science and medicine.  This led to Paracelsus’ theorizing about Gnostic ideas such as planetary influences (although he denied Gnosticism).  Paracelsus also believed in a universal healing energy and he is also credited for the first mention of the unconscious.

B) Post-Reformation: Early Development of Modern Traditions

This was also the time of the Renaissance and science was just beginning to come into its own, but science wouldn’t be fully formed until the Enlightenment.  During this latter period, Franz Mesmer developed a theory and methodology along the lines of Paracelsus’ writings.  Paracelsus’ ideas did become more popular a couple of centuries after his death, but I don’t know if his ideas had a direct influence on Mesmer.  Still, they’re a part of the same general philosophical lineage.  Mesmer did speculate about planetary influences, but he is most famous for his theory about animal magnetism which was a supposed healing energy.  This was the origin of what later would be called hypnotism which was much later developed, partially through the example of the Freudian Erik Erikson, into the methodology of Neuro Linguistic Programming (NLP). 

Hypnotism was introduced into popular culture through writers such as Edgar Allan Poe.  Mesmerism was an early origin to spiritualism.  As such, it isn’t surprising that Poe in one of his stories had a character use hypnotism as a way of keeping a corpse alive.  Another concept that came from Mesmerism was the double which also was incorporated into the Horror genre, notably in the writings of E.T.A. Hoffman

Hypnotism as a psycho-therapeutic technique had been taken up by a number of people during and after Mesmer’s life.  Many decades later, Freud would learn hypnotism.  The ideas of sexual repression and hysteria were a part of the tradition of Mesmer’s methodology and these would be taken up by Freud.  Also, Freud had an interest in the unconscious which would seem to also to have been related to these kinds of ideas.  One of Freud’s followers was Wilhelm Reich who had a particular interest in the area of sexuality and healing energies.  He proposed the notion of Orgone energy which is reminiscent of both the ideas of Mesmer and Paracelsus.  Orgone is no longer reputable, but like Mesmer it has become a part of popular culture.  William S. Burroughs was a believer in Orgone energy (and spirituality in general as he considered himself a Manichean and was a Scientologist for a time).  Jack Kerouac mentioned Burroughs’ Orgone accumulator in one of his books and supposedly Grant Morrison (by way of Burroughs?) imagined Orgone energy as being real in one of his fictional worlds.

Mesmer‘s beliefs about healing energy accessible to all was also a major influence (via Phineas Quimby) on New Thought Christianity.  This Christian movement was also influenced by Swedenborg and more importantly by the very ancient ideas of Unitarianism and Universalism.  New Thought was a part of a larger social movement of people seeking a new form of spirituality after the Enlightenment had challenged so many traditional religious certainties and the Industrial Age was generally destabilizing culture.  Another set of ideas that probably was influential on New Thought would be that of Romanticism and Transcendentalism.  The latter in particular was a part of the same social milieu in the US at that time.  Specific organizations that appeared during this period were Unity church, Christian Science, Mormonism and the Theosophical Society.  Also, groups like the Quakers and Shakers became popular in the U.S. later in the 19th century partly in response to the social destabilization of the Civil War.  (By the way, New Thought Christianity has somewhat covertly made a resurgence with it’s incorporation into the mainstream through such things as The Secret and even more interestingly through Evangelical Christianity.  Positive thinking or prosperity thinking is known by Evangelicals as abundance theology or prosperity gospel.)

This collective search for the spiritual during the 19th century (and into the early 20th century) was being fueled by many things including the translation and publishing of many ancient texts (both Western and Eastern).  In biblical studies, some scholars picked up the earlier Enlightenment criticisms of Christianity (despite the fear of punishment by the church still being at the time very real in some places).  With many new texts available, comparative mythology caused quite a stir.  One major force in this scholarship was the publications coming out of the Theosophical Society, in particular those of G.R.S. Mead.  This school of thought mostly died out in biblical studies, but it was kept alive by comparative mythologists and psychologists.  It has, however, been revived in recent decades by a small growing sector of biblical scholars and has been made popular (if not exactly respectable) by the film Zeitgeist.

 

Freud, Jung and Others

Optimism and Pessimism, Religion and Horror

A major figure who was influenced by all of this was Carl Jung (who was the most significant force behind the Nag Hammadi texts getting translated and published).  Even though he was the most favored student of Freud, Jung had developed much of his own thinking prior to their meeting.  They both had great impact on each other, but of course (like many of Freud’s students such as Reich and Adler) Jung left Freud.  The Freudian and Jungian schools are an interesting contrast.  This partly a difference of how they related to the world in general which seems to symbolized by how they related to patients.  Freud had patients face away from him, but Jung (and Reich) chose to have their patients face them. 

Also, I can look at a book’s table of contents and make a good guess about whether the author will likely quote Freud or Jung.  Books that quote Freud tend to be about sexuality, gender, politics, power, the underprivileged, postmodernism, and textual criticism.  Books that quote Jung often involve the topics of spirituality, religion, mythology, ancient traditions, philosophy and the supernatural.  There is much crossover between the two and so it isn’t unusual to find both names in the same book, but still books that extensively quote Jung are more likely to mention Freud as well rather than the other way around.  Both Jung and Freud have influenced artists and fiction writers.  Herman Hesse, for instance, knew Jung and used his ideas in some of his fiction.  Freud’s obsession with sexuality, of course, was an interest to many creative types.  Burroughs‘ view on sexuality seems fairly Freudian.  Another angle is that Freud was less optimistic about human nature.  I was reading how Peter Wessel Zapffe’s Pessimistic philosophy is indebted to Freud and Zapffe is a major source of the horror writer Thomas Ligotti‘s view on life.  Philip K. Dick, on the other hand, was heavily influenced by Jung and PKD has relatively more of a hopeful bent (however, PKD also had a very dark side and was friends with darker fiction writers such as Harlan Ellison).  This distinction between a tendency towards pessimism versus optimism, I would add, appears related to the fact that Freud was very critical of religion and Jung maintained respect for religion his whole life (or at least the ideas and stories of religion if not the institution itself).

One further aspect is Jung‘s development of personality typology which came about by his trying to understand the differences between Adler and Freud and his trying to understand the reasons for his conflict with Freud.  Typology was particularly put into the context of a very optimistic philosophy with the MBTI which is all about understanding others and improving oneself.  Even though typology became a tool of corporate America, it has its roots in the ideas of centuries of philosophers such as Nietzsche’s Dionysian and Apollonian.  Typology is the closest that Jung’s ideas have come to academic respectability.  (However, his theory on archetypes is slowly gaining respectability simply by the force of its wide influence, and its important to note that there was always a connection between Jung’s thinking about typology and archetypes.)  With the systematization in MBTI, Jung’s typology has been scientifically researched and correlated with other research on personality theories.  For my purposes, I’ll point out that his typology probably influenced some of Hesse‘s thinking and I know that Philip K. Dick was familiar with it, but typology overall hasn’t been a favorite topic of most philosophical and spiritual thinkers.  Even so, the creation of distinct categories of people is a very old notion (in the West and in other cultures).  For a relevant example, certain Gnostics (e.g., Valentinians) divided people into three categories, but later Christians seem to have preferred the simpler categorization of damned versus saved.  In secular writing, George P. Hansen is a rare thinker who considers types (Ernest Hartmann‘s boundary types which are correlated to MBTI) in terms of paranormal experience and cultural analysis, but I don’t know if he is familiar with Jung’s typology although he does reference Jung a fair amount.  A more amusing example is William S. Burroughs‘ dividing the world up into the Johnson Family and the Shits.

Like Freud, Jung had a strong interest in the unconscious which (along with his many other interests) definitely puts him in the tradition of Paracelsus and Mesmer.  It would almost be easier to list what Jung didn’t study rather than what he did.  He certainly was interested in the same types of subjects that are now included in the New Age movement (which isn’t surprising as Jungian ideas are a major interest of many New Agers).  Specific to my purposes here, Jung often quoted G.R.S. Mead and was also immensely curious about spiritualism.  Jung’s influence is immense, despite his fame being slightly overshadowed by Freud. 

An aspect not often considered is Jung‘s influence on Christianity (which I assume was largely his interest in Mead’s writing).  His family was very much entrenched within Christianity and so Jung was obsessed with it his whole life.  The book he considered his most personal was written about Christianity (i.e., Answer to Job).  Jung had a fruitful relationship with Father White who himself was a writer.  Jung’s ideas became incorporated into Father White’s writings about Catholicism.  Despite Jung not being Catholic or even Christian, his ideas gave a certain respectability to the Catholic emphasis on symbolism and imagery, but it’s hard to estimate Jung’s influence on Catholic thinking.  The most direct influence in this regard would be on the InklingsC.S. Lewis and J.R.R. Tolkien who were Christians also felt some kinship with Jung’s ideas, but of course they disagreed with Jung’s putting Christianity on the same level as Pagan myths (as such, his theory was simply a myth explaining other myths rather than God’s truth).  Through Jung and Lewis, theology became more of a topic of popular culture.  Also, Lewis helped bridge the separation between the Pagan imagination of Romanticism and Christian doctrine which was furthermore a bridge between theological ideas and fiction.  This bridging obviously influenced later writers such as Philip K. Dick who combined fiction and theology.  The popularizing of Christianity had a corroding effect on orthodoxy (which Tolkien feared), but also it led to a great fertility of thinking where Christianity and popular culture mixed.  I’m sure many Christians have discovered Jung through the Inklings, but  I suspect, though, that Jung probably has had the most influence on Christians who are counselors (and therefore on the people they counsel).  Related to counseling, Jung was a direct inspiration for the development of Alcoholics Anonymous which was originally Christian (also, A.A. is one of the first self-help groups which as a way of organizing people would later became a focus of various New Agers, Christian and otherwise).

I also wonder what connections there might be between Jung’s interest in Catholicism and the supernatural and the interest in the same by Horror writers and movie directors.  Also, as there are Catholics interested in Jung and Catholics interested in horror and ghost stories, I wonder how many Catholics would be interested in both.  Interestingly, both Jungian studies and the Horror genre have simultaneously increased in popularity and respectability.  An obvious link between Jung and horror would be Freud‘s understanding of the Uncanny and I would say that the Uncanny would be magnified by the amorphous nature of the Jungian Collective Unconscious.  The Uncanny becomes quite horrific when it can no longer be safely contained within the human brain, no longer explained away as mere psychological mechanism.

New Age, Hillman, and the Paranormal

There are three other interconnected avenues of Jung‘s influence that I want to consider further. 

1) As Jung was influenced by the spiritual and the spiritualist movements of the 19th century, he in turn influenced the New Age movement of the 20th century.  Jung acts as a bridge and a synthesizer.  Jung himself and his ideas struggled for respectability, but still it was partly through his ideas that the New Age gained some respectability.  His views on archetypes gave many people a method/language (and an even playing field on which) to analyze mainstream culture and the dominant religions.  The New Age’s incorporation of archetypes, however, made them even less respectable to mainstream culture (at least until recently, maybe partly because the New Age has become more respectable).  If it weren’t for certain writers such as Joseph Campbell, Jung’s writings on comparative mythology might very well be less known and understood.  Joseph Campbell also helped to revive Jung’s study of Christianity in terms of mythology.  Specifically, it was Star Wars and the Hero’s Journey (i.e., Monomyth) that brought this all to a mainstream audience.  Suddenly, both Hollywood and Christianity had to come to terms with mythology… forcing Christianity to also come to terms with Hollywood and popular culture in general.  One other connection between Jung and the New Age would be Quantum Physics.  One of Jung’s patients was the physicist Wolfgang Pauli and they developed a friendship.  They both were interested in the connection between science and the mind, and this interest became symbolized by the number 137.  This number fascinated Pauli (and many other scientists) because the “fine structure constant” is approximately 1/137 which is neither very large nor very small but rather a human-sized number, a number that’s easy  to grasp.  Jung had discovered that going by the numerology related to Kabbalah that the word ‘Kabbalah’ added up to 137.  So, this number represented their shared interest, their shared ideal.  This desire to bridge matter and mind, science and psychology is a major part of New Age spirituality and of other thinkers outside of the New Age (e.g. Ken Wilber).

2) A second line of influence is that of James Hillman who was indebted to and critical of Jung‘s view.  He wrote a book about Jung’s typology and he was very much against it being used in a systematic fashion to categorize people.  To be fair, Jung was extremely wary of his typology being systematized.  Hillman can be considered as loosely a part of the thinking going on within and on the fringes of the New Age movement, but his ideas were a bit of an opposition to the idealistic strain of the New Age.  He believed suffering and illness should be accepted and understood on its own terms.  So, reality should be taken for what it is without trying to make it into something else.  Importantly, this view seems to be different than Freud‘s thinking in that Freud was apparently less trusting of human nature and experience (although there may be some minor similarity in that Freud emphasized helping people adapt rather than trying to fundamentally change them).  For instance, the Freudian-influenced Pessimism of Zapffe (and hence of Ligotti) posits that humans are deceived and self-deceiving.  Zapffe has a very good analysis of the methods people use to avoid suffering (which, to be honest, I’m not sure to what degree someone like Hillman would disagree).  From another perspective, Robert Avens, in his Imagination is Reality, draws on Hillman’s writings.  I found Avens’ analysis to be a useful counter example to the philosophical writings of Ligotti, but this is something I’m still working out.  I see some truth (and some limitations) in both perspectives.

3) The third aspect would be Jung‘s focus on the paranormal.  He studied the paranormal since he was young and had paranormal experiences of his own.  As he grew older, he saw the psyche and the archetypes as not being limited by the human brain.  His interest in the paranormal was far from idle.  Through his principle of synchronicity, he believed non-ordinary experiences had a very direct and practical impact on a person.  He also corresponded with the famous parapsychology researcher J.B. Rhine and they met once, but as I understand Jung was uncertain about the relationship between synchronicity and parapsychology research (since the former focuses on the subjective and the latter on the objective).  One of his last books was about UFOs and it was highly influential on a certain tradition of UFO researchers: Jacques Vallee and John Keel.  This tradition overlaps with Jung’s studies of and influence on religion and spirituality.  Vallee, like George P. Hansen, studied spiritual groups and religious cults.  I’m sure Keel studied those as well.  In The Eighth Tower, Keel details some of the biblical mythicist theories and Egyptology that had become increasingly popular starting in the 1970s (and, of course, he relates it to the paranormal).   Thus, paranormal research was combined with comparative mythology and folkore studies.  This is how Jungian ideas became linked with Charles Fort, another researcher into the paranormal.  Charles Fort was a different kind of thinker than Jung, but people interested in one often are interested in the other.  Even though I’m not as familiar with Fort, I do know he was highly influential on other writers and thinkers in his lifetime (John Cowper Powys, Sherwood Anderson, Clarence Darrow, Booth Tarkington, Theodore Dreiser, Ben Hecht, Alexander Woolcott and Oliver Wendell Holmes, Sr.) and many later people as well too numerous to list (which includes many of the writers I discuss in this post).  A less known fact is that Fort wrote fiction stories that were published early in his career and a major part of his influence has been on fiction writers.  Both Jung and Fort read widely and both changed their minds as they came across new evidence.  Even more than the likes of Hillman, the Forteans are the real opposites of the New Agers.  However, Forteans and New Agers were both a part of the counterculture (before the New Age went mainstream with its being approved and popularized by Oprah).

These last three traditions do overlap in various ways. 

Patrick Harpur is a very interesting writer on the paranormal.  He references many of the above writers: Carl Jung, James Hillman, Robert Avens, Charles Fort, Jacques Vallee and John Keel.  George P. Hansen is even more wide ranging in that he references those same kinds of writers and he references various people from the New Age area and beyond all of that he also references many philosophers and scientists in other related fields.  Hansen is more difficult to categorize, but ultimately he might best fit in with the Fortean tradition.  Another writer I discovered recently is Keith Thompson who wrote a book that is similar to the writings of these other two.  Thompson and Hansen come to a similar conclusion about the Trickster archetype being fundamental to understanding the paranormal (which could be related to Jung’s insight that the Trickster figure was a precursor to the Savior figure). Thompson is also interesting in that he has very direct connections to the New Age and to Integralism.  Besides writing about UFOs, he did an interview with Robert Bly in the New Age magazine which was what first brought the mens movement into public attention.  Thompson credits Michael Murphy for supporting the ideas in the book early on partly by promoting a UFO group at the Esalen Institute (where, for instance, Joseph Campbell had taught in the past).  Michael Murphy has been closely associated with Ken Wilber and apparently Thompson is the same person who was the president of Wilber’s Integral Institute for a time.

Let me briefly point out that, in the context of the three Jungian-related traditions outlined above, there are some counterculture figures that are mixed into this general area of ideas: William S. Burroughs, Timothy Leary, Robert Anton Wilson, Terrence McKenna, and Philip K. Dick.  So, this brings in the fields of study involving psychology, consciousness research, psychedelics, epistemology, spiritual practice and conspiracy theories.  Also, I would add a connection here with Transpersonal psychology and the New Age in general.  If you’re a fan of the radio show Coast to Coast AM (formerly hosted by Art Bell and now hosted by George Noory), then these types of ideas and writers should be generally familiar to you (Terrence McKenna, in particular, was a regular guest).  I want to emphasize particularly William S. Burroughs as he was extremely interested in these kinds of subjects.  Despite Burroughs dark streak, he said he never doubted the existence of God.  He believed in lots of alternative ideas such as ESP, but most relevant here is that he visited Whitley Strieber who is one of the biggest names in the UFO encounter field.  In connection to Burroughs and Jung, Reich (who proposed the orgone theory) also had a strong interest in UFOs (which he connected with his orgone theory).  As a passing thought, this last connection of Reich reminds me of Paracelsus as the latter also speculated much about the paranormal (in terms of influences and beings).  Vallee discusses Paracelsus’ ideas in context of modern speculations about UFOs.

 

The Occult and the New Age, Spiritualism and the Theosophical Society

I need to backtrack a bit to delineate some other lines of influence.  I want to follow further the influence Mesmer and spiritualism had on fiction and I want to follow a different influence from the Theosophical Society.

Poe and Horror, Philip K. Dick and Neo-Noir

So, first, Mesmer and spiritualism had a wide influence on fiction, in particular the genre of horror.  Most significantly, I want to follow a divergent influence Poe had.  Poe is definitely one of the most influential writers for modern horror, but less recognized is that he is also considered by some to be the originator of the modern detective storyVictoria Nelson and Eric G. Wilson write about Poe’s horror writing, but those two also write about noir (which of course is grounded in the hard-boiled detective story) and neo-noir.  A major factor in the transforming of noir into neo-noir (and it’s related development into tecno-noir and influence on cyber-punk) was the writings of Philip K. Dick and especially the movie Blade Runner which was based on one of his novels.

My interest in noir and neo-noir has increased since reading Victoria Nelson and Eric G. Wilson… and a more recent addition to my library is Thomas S. Hibbs.  All three of them have helped me to understand the religious undertones and philosophical implications of this genre.  Nelson and Wilson cover similar territory, but Hibbs has a different view that emphasizes Pascal‘s ideas (which offers another counterbalance to Zapffe/Ligotti ideas).  Hibbs uses Pascal’s hidden God as a contrast to Nietzsche‘s God is dead.  He also writes some about Philip K. Dick, but apparently isn’t aware of PKD’s own notions about a hidden God (aka Zebra).

Nelson, in The Secret Life of Puppets, writes about writers such as Poe, Lovecraft, Philip K. Dick and C.S. Lewis in terms of mythology, puppets, alchemygnosticism, art and film; she also briefly writes about New Age groups and UFO cults.  More significantly, she discusses German Expressionism merging with “hard-boiled detective mode of pulp fiction” to form film noir.  She speaks of re-noir by which I assume she means the same genre that others call neo-noir.  She also goes into some detail about New Expressionism which seems closely connected with neo-noir.  Specifically of interest to me, she discusses the movie Blade Runner.  I’m not sure about her opinion on the subject but I think some consider that movie to be the first neo-noir film (or at least the first sf neo-noir film) which is a type of film that has become increasingly popular in the following decades.  Also, Blade Runner (along with PKD’s fiction) was a formative influence on cyber-punk.  As for neo-noir, besides being mixed with science fiction and fantasy, it has also used elements of horror as in Dark City.  This is natural fit considering Poe’s influence.  Another very interesting topic she discusses is Memoirs of My Nervous Illness by Daniel Paul Schreber.  She compares Schreber’s view of reality with that of Lovecraft’s fiction.  It’s also significant to note that Schreber’s memoir was made famous by Freud‘s analysis of it in terms of homosexuality and paranoia, and it was Jung who brought this text to Freud’s attention.  Nelson does discuss Freud in reference to Schreber and she discusses Jung in other parts of her book.

Wilson was influenced by Nelson and so was writing along similar lines, but with more emphasis on religion and also more emphasis on subjects such as the Gothic and Existentialism.  In one book, he goes into great detail about Gnosticism and the traditions of Cabala and alchemy which were formed partly from the ideas of Gnosticism.  Wilson also said he was influenced by Marina Warner who is also mentioned in Nelson’s writings.  Warner writes in a similar vein as these two, but it seems she has less interest in pop culture although she does write some about Philip K. Dick.  These writers point out the connection between high and low art and the connection between art and culture, between imagination and religion.

I could make even more connections here in terms of Gothic fiction and Existentialism.  I’ve read a number of fiction writers that fit in here, but I’m not sure about specific lines of influence.

Theosophy: Darkness and Light

Now, let me follow a very odd linking of people starting with the Theosophical society.

First, most people don’t realize that the distinction between the Occult and the New Age didn’t initially exist when these ideas were first being formulated.  Aleister Crowley was associated with the Theosophical Society and he considered it significant that he was born in the year that the organization was founded.  Crowley appreciated the work of Anna Kingsford who established Theosophy in England and briefly headed it.  Whereas Blavatsky had emphasized Oriental esotericism, Kingsford was in favor of a Western esotericism with a focus on Christianity and Hermeticism.  She supposedly was more known for her advocacy work for women’s rights, animal rights and vegetarianism.  She would seem to represent the more New Agey side of Theosophy which is odd considering the association with Crowley who was known as “the Beast”.

I want to momentarily point out a tangential thought that is relevant to the Theosophical Society and similar organizations.  George P. Hansen has written some useful analysis of the connection between the New Age and the Occult.  The following is mostly based on his ideas, but a similar analysis of the dark side of alien experiences can be found in the works of Jacques Vallee.

Intentional communities and Gurus are very popular amongst New Agers, but there is a dark side to this with Jim Jones, Charles Manson, and Heaven’s Gate.  Heaven’s Gate is an especially good example.  They were a UFO cult that was very New Agey in their interest in pop culture utopianism and their beliefs in alien/angels that would come to save them.  Many people who have alien abduction experiences are given messages by their captors.  They are made to feel special and that they have a mission to accomplish.  They are often told that the world is ailing or even dying, and that the aliens have come to save the planet or the aliens have come to save an elect few.  You can find similar messages in New Age channeled writings (and in the historical accounts of various traditional religions as well).

I was reading a book by Vallee who began his career as a scientist before becoming a UFO investigator.  He was one of the first people to make a connection between alien abductions and traditional folklore.  In the intro to one of his books, he mentioned that he had studied Teilhard de Chardin and appreciated his view.  Teilhard de Chardin is a name that comes up in discussions about both both New Age and Integral theory.

The Two Krishnamurtis

To return to the topic of the Theosophical Society, after Blavatsky died there was major conflict.  Crowley became antagonistic and various leaders turned against each other.  Rudolf Steiner helped to establish the German and Austrian division as independent, and out of this Anthroposophical Society formed.  The Americans also split off and later split again.  Annie Besant and Henry Olcott took over the division in India.

So, in India, J. Krishnamurti was adopted by Annie Besant and was groomed to be a World Teacher which Crowley didn’t like (I’m not sure why, but maybe he wanted to be the World Teacher).  U.G. Krishnamurti, through his grandfather, became involved in Theosophy in his teenage years.  The two Krishnamurtis met while a part of the Theosophical Society.  They shared their views with eachother and shared a questioning attitude.  Both rejected the role of guru which led to both leaving the Theosophical Society.  However, J. Krishnamurti did continue an informal career as spiritual teacher which U.G. Krishnamurti criticized as his having become a guru after all (and U.G. has been called an anti-guru and even the anti-Krishnamurti).  Both Krishnamurtis had profound spiritual experiences that transformed them, but U.G. Krishnamuti’s experiences led to a less popular viewpoint in that he believed that the physical world was all that existed.  According to my limited study of U.G., his view of no-mind seems something like a materialistic version of Zen.  J. Krishnamurti, on the other hand, is very popular with the New Age crowd (which is where I learned of him).  For instance, the same type of person who writes about J. Krishnamurti also writes about A Course In Miracles (another early influence of mine)… by the way, ACIM according to Kenneth Wapnick (who helped form the text) has a similar theology to Valentinian Gnosticism (which makes sense as the Nag Hammadi discovery was just beginning to become popular at that time). 

 

Horror Writers and Scholars

From Ligotti to Wilber

To get back on topic, U.G. Krishnamurti is less well known as he didn’t see himself as having a public mission.  His writings are on the extreme fringe of the New Age, but I’m not sure what kind of person is typically attracted to his philosophy.  However, I was interested to discover that Thomas Ligotti mentions him in an interview.  U.G. Krishnamurti’s materialistic bent fits in with the general trend of Ligotti’s thinking, but I’m not sure what value Ligotti would see in even a materialistic spirituality (not that U.G. was trying to promote its value).  I was reading from a thread on Thomas Ligotti Online that the story “The Shadow, The Darkness” was a direct homage to U.G. Krishnamurti.

Anyways, Ligotti represents an interesting connection between Horror and many other ideas.  Ligotti’s favorite thinker apparently is the Pessimistic philosopher Zapffe.  I came across that Zapffe was close friends with and mentor to Arnes Naess.  That is extremely intriguing as Naess was the founder of the Deep Ecology movement.  I find it humorous to consider the hidden seed of Zapffe’s Pessimism at the foundation of Deep Ecology.  Like Theosophy, Deep Ecology is another major influence on New Age thinking.  This confluence of Horror and the New Age is maybe to be expected for I suppose it isn’t entirely atypical for someone like Ligotti to go from being a spiritual seeker to becoming a fully committed Pessimist.  In terms of ideas, the opposites of optimistic idealism and pessimistic realism seem to evoke each other… as they say, scratch a cynic and you’ll find a failed idealist.  I was thinking recently that horror as an experience can only exist in contrast to hope.  If humans had no hope, then there’d be no horror.  So, the greatest horror is only possible with the greatest hope and the contrary would seem to be true as well.  In terms of environmentalism, Pessimism is a natural fit anyhow.  Environmental writers such as Paul Shepard and Derrick Jensen are far from optimistic about the human situation.  Paul Shepard, in particular, seems to have ideas that resonate with Zapffe’s view that something went wrong in the development of early humanity.  Along these lines, a book that would fit in here is The Love of Nature and the End of the World by Shierry Weber Nicholsen.

I think this is a good place to mention Julian Jaynes.  He was a psychologist who became famous through his book The Origin of Consciousness in the Breakdown of the Bicameral Mind.  His ideas generally relate to the kind of ideas put forth by Paul Shepard, Ken Wilber, Max Weber, Karl Jaspers, and Peter Wessel Zapffe.  He theorized that human consciousness was different in the past and a shift happened during early civilization.  He thought that ancient man’s mind was more externalized with less sense of individuality… something like schizophrenia.  He had two sources of evidence for his theory.  He saw traces of this early mode of consciousness in the oldest surviving writings and he referenced psychology research that demonstrated that stimulating parts of the brain could elicit a person hearing voices.  The reason I mention him is because he influenced, along with many others, both William S. Burroughs and Ken Wilber.  Buroughs wrote about Jayne’s ideas in his essay “Sects and Death” and Wilber wrote about them in his book Up from Eden.

Related to Deep Ecology is Phenomenology for Deep Ecologists have often used it to support their view.  This is so because, in Phenonmenology, there is something of an animistic appreciation of nature.  Phenomenology influenced Enactivism which is a fairly new theory involving the scientific study of consciousness and perception.  Enactivism was also influenced by Buddhism and as such Enactivism tries to scientifically explain our direct experience of reality.  Enactivism especially discusses the connection between mind and body.  I bring this up because Ken Wilber, who is critical of Deep Ecology, is a major contributor to and proponent of Integral theory which has had some fruitful dialogue with Enactivism (see my post ENACTIVISM, INTEGRAL THEORY, AND 21st CENTURY SPIRITUALITY).  Irwin Thomson has co-written some books with the Enactivist theorists, and  Ken Wilber has been contrasted with William Irwin Thomson (the father of Irwin Thomson).  The former is a systematic thinker and the latter non-systematizing, and yet both write about similar subjects.  (Jung was more of a non-systematizer and that might be why Wilber ended up feeling critical towards his ideas.)  Ken Wilber is useful to bring up as he has synthesized many different fields of knowledge and he has helped to bridge the gap between academia and spirituality.  Also, Wilber has become a major figure in popular culture such as his speaking on the commentary tracks for the Matrix trilogy.

I want to point out that there has been much dialogue between the ideas of Wilber and those of Jung.  Jung’s less systematic style of thought also allowed for great shift in his understanding over time.  This makes it difficult to understand Jung’s spectrum of ideas as his opinions changed.  Wilber, on the other hand, is extremely systematic and his theory has remained fairly consistent even as he adds to it.  Wilber does have some basic understanding of Jung which he describes in some of his books, but various people have pointed out some inaccuracies in his understanding.  As a systematizer of many fields, Wilber inevitably simplifies many theories in order to evaluate and synthesize them.  However, to understand the connection between Jung and Wilber it would be better to look to a third-party viewpoint.  The best example of this would be Gerry Goddard (whose lifework tome can be found on the Island Astrology website).  I bring up Goddard for another reason.  Goddard was also a systematizer like Wilber, but he brings a number of other writers into his theory.  As I recall, he gives a more fair assessment of Jung.  Also, he includes the ideas of Richard Tarnas and Stanislav Grof.  I briefly mentioned Tarnas at the beginning.  Tarnas is a historian whose writing is a useful resource for understanding the development of ideas across the centuries, and he also has an interest in astrology.  Tarnas wrote a very interesting book about history and astrology that Goddard references.  Goddard also writes about the psychologist Stanislav Grof who is often contrasted with Wilber.  Grof is interesting as he started off researching psychedelics, but later focused on non-psychedelic methods of altering the mind (such as breathing techniques) for the purposes of psychotherapy.  Goddard is a less known theorist, but is a good example of the relationships between some of the people I mention.

There is another related distinction I’d like to make.  Wilber and Goddard are systematizers which somehow connects with their work being squarely set in the field of non-fiction.  Wilber did write a novel, but even then it was simply a mouthpiece for his non-fiction.  William Irwin Thomson seems more like Jung.  Along with wide ranging interests, they both were deeply interested in the creative as well as the intellectual side of human experience.  By deeply interested I mean that they sought to express themselves creatively.  Jung was often painting or carving stone or simply playing around with whatever was at hand.  I don’t know as much about Thomson, but I’ve seen poetry he has written and I’ve seen him referenced as a poet.  Also, Thomson writes about literature.  Along these lines, Philip K. Dick and William S. Burroughs would also be of this latter category of non-systematic creative thinkers.  Ligotti is a bit harder to fit in with this scheme.  He definitely has strong interest in both fiction and non-fiction, but relative to PKD and Burroughs he seems much more systematic and focused.

Let me conclude this section by saying that Ken Wilber is a major focal point of my own thinking simply for the fact that he covers so much territory and because his ideas have become the focus of more intellectual discussions of spirituality.  He is relevant to my discussion also because he was influenced by the counterculture ideas of his Boomer generation and so he is familiar with many of the people I’ve mentioned so far.  Wilber was interested in alternative ideas like those of Jung, but ended up setting his theory in opposition to depth psychology, transpersonal psychology and deep ecology.  Unhappily, Wilber often gets categorized in bookstores along with the very New Age writers he criticizes.  Similar to Ligotti, he spent much time seriously seeking spiritual perspectives which in his case even included following a guru for a while.  Ligotti and Wilber represent two very intellectual responses to the search for knowledge and understanding.

Burroughs in relation to Ligotti and PKD

Similarly, as I’ve stated elsewhere (see here), Ligotti and Philip K. Dick represent two very different responses to William S. Burroughs as they were both influenced by him.  I really don’t know the specifics of how Burroughs had an effect on Ligotti.  Supposedly, he said that Burroughs was his last artistic hero, but as far as I can tell he doesn’t otherwise speak about Burroughs much.  Burroughs was quite the Pessimist in many ways and so it’s a bit surprising that I didn’t notice his name being mentioned in the excerpt of Ligotti’s non-fiction from the Collapse journal.  Maybe when his full nonfiction work is published there’ll be something about Burroughs in it.  Actually, in some ways, Burroughs comes off as darker than Ligotti.  On the other hand, Burroughs had an explicitly spiritual side.  Gnosticism is particularly clear in Burroughs’ perspective and that is where PKD saw a connection to his own philosophizing.  This Gnosticism is a direct connection to Jung, at least for PKD but probably for Burroughs as well since I know that he was familiar with Jung.  PKD, however, is more Jungian in his view of gender in that both PKD and Jung apparently were influenced by the Gnostic (and Taoist) emphasis on gender as a way of thinking about the dualistic nature of the psyche.  Burroughs’ understanding of gender could also have its origins partly in Gnosticism as there was a strain of Gnosticism that was less idealistic about gender differences.  Burroughs considered himself Manichaean which was a religion with an ascetic tradition and which emphasized dualism to a greater degree (I find it humorous to consider that the great Church Doctor Augustine was also a Manichaean for many years before his conversion… which makes me wonder what Burroughs opinion was about Augustine).  Another distinction here is that Jung and PKD maintained relationships with Christians and biblical scholars, but I can’t imagine Burroughs having much interest in Christianity.  Burroughs, rather, saw Gnosticism as in opposition to Christianity.

Poe and Lovecraft, Christianity and Gnosticism

Another connection would be favorite writers.  I mentioned Poe already.  Poe was a major favorite of Burroughs, Ligotti and PKD.  Lovecraft would be another writer to bring up as he was influenced by Poe.  Lovecraft in turn had a tremendous impact on Ligotti and PKD, and Burroughs made references to Lovecraft in a number of places.  Also, Burroughs supposedly was taught about Mayan codices by Robert H. Barlow who was Lovecraft’s literary executor.  I was reading that Burroughs met Barlow in Mexico while studying anthropology.  An interest in cultures would be something that Burroughs shares with PKD and Jung, but I don’t have a sense that Ligotti has much interest in this area or at least he doesn’t seem to write about it.  To add a quick note, there is a nice essay by Graham Harman in Collapse IV that brings together Lovecraft, Poe and Phenomenology.

Yet another connection is that of Robert M. PricePrimarily, Price is a biblical scholar, but he has many interests including weird writing, superheroes and philosophy.  He seems to have been somewhat of a Lovecraft expert in the past and has written his own Lovecraftian stories.  Price’s interest in Lovecraft makes sense in terms of his interest in Gnosticism as Lovecraft’s view of reality is essentially that of Gnostic archons minus the Gnostic true God (there is a good analysis of Lovecraft’s philosophy in Sieg’s “Infinite  Regress” from Collapse IV).  Price also has written an essay about Ligotti that was published in The Thomas Ligotti Reader.  I know of Price mostly through his biblical scholarship as he writes about Gnosticism and mythicism which are two of my favorite topics.  He doesn’t identify as a mythicist, but is very supportive of mythicist theorists such as Earl Doherty and D.M. Murdock (aka Acharya S) and he highly respects some of the scholarship that was done in this regard during the 19th century.  Robert M. Price also has written quite a bit about Carl Jung and Joseph Campbell.  He seems to have some respect for these two, but he also seems to be very critical of how their ideas have been used by New Agers.

To make a related point, D.M. Murdock‘s most recent book is about Christianity and Egyptology.  In it, she references the likes of Price and Campbell.  A major issue for Murdock is the literalism of traditional Christianity which was an issue that Campbell spilled much ink over.  The literal is seen as opposed to the imaginal according to the views of Hillman and AvensWilber makes similar distinctions using different models and terminology.  As for the Egyptian religion, I’d point out that it was a major interest of Burroughs (and Eric G. Wilson too).  There is a strong connection between Gnosticism and Egypt.  A distinction that some make between Gnosticism and Christianity is that the former preferred allegory rather than literal interpretation.  This began with the Alexandrian Jews in Egypt whose Platonic allegorizing of Jewish scriptures was acceptable even to some of the Church fathers.  The difference is that many Gnostics allegorized and spiritualized the gospel stories as well. 

I want to note here E. A. Wallis Budge who was one of the most respectable early Egyptologists.  Murdock references him to a great degree, and any thinker involved with early Christianity and Western mythology would be fully aware of his scholarship.  Of course, writers such as Mead, Price, and Campbell are familiar with his work.  Also, he was known by writers such as Burroughs and John Keel.  And surely Eric G. Wilson would’ve come across his writings.  Budge’s scholarship put Egyptology on the map and helped put it in context of early Western history including Christianity.  Budge is surprisingly not that well known to most people, but trust me he had massive influence on many thinkers over this last century.  Egyptology had already taken hold of the Western imagination by earlier scholars.  Poe used Egyptian elements in some of his stories and Poe died a few years before Budge’s birth.  Budge lived closer to the turn of the century around the time of Carl Jung, Franz Kafka, H.P. Lovecraft, and Charles Fort.

Two Kinds of Thinkers

I want to describe one last aspect that I articulated partly in my post Burroughs, PKD, and Ligotti.  I was distinguishing Ligotti as different from Burroughs and PKD in an important respect.  The latter two were extremely restless thinkers and seekers which seemed represented and maybe contributed to by their drug experimentation.  The only drugs that I’ve seen Ligotti mention are those that are medically prescribed for his bi-polar condition and so they’re designed to make him less restless.  I would guess that Burroughs was one of the first writers to truly popularize drug experimentation, but it took others to bring it into the mainstream.  It was during the ’60s that drug experimentation became a hot topic and Timothy Leary I suppose was the most major proponent.  However, many forget that Leary was originally a psychologist and a respected one at that.  There was this meeting of ideas at that time which has persisted: psychedelics, psychology, spirituality, occultism, ufos and conspiracy theories.  Robert Anton Wilson, a friend of Leary, was the one who really synthesized all of these seeming disparate subjects (and, if I remember correctly, it’s through his writing that I first read about Wilhelm Reich).  Another person was Terrance McKenna who in some ways picked up where Leary left off, but his focus was on mushrooms rather than LSD.

Philip K. Dick was aware of this whole crowd and it all fits into his own brand of counterculture philosophizing.  Specifically, he wrote about McKenna (and vice versa).  A common interest that PKD and McKenna shared was Taoism and the I Ching which they both connected to synchronicity.  They inherited this line of thought from Carl Jung who wrote an introduction to a popular translation of the I Ching.  As a side not, I’d add that McKenna’s view of UFOs are also influenced by Jung (and seem in line with theories of Vallee and Hansen).  To put this in context, Jung would relate psychic manifestations such as UFOs with synchronicity.  Related to this, Burroughs’ cut-up technique was based on the principle of synchronicity.  PKD was interested in Burroughs’ technique as it fit into his own beliefs about messages appearing in unexpected ways (i.e., God in the garbage or in the gutter).  Oppositely, this technique is something that Ligotti strongly disliked.  This makes sense as Ligotti seems to be more of a systematic writer, a perfectionist even (which neither Burroughs nor PKD aspired towards).  Along these lines, consider the random and meandering philosophizing of Burroughs and PKD in the context of Ligotti’s carefully articulated Pessimism.  To quote Quentin S. Crisp in the comments of his blog post Negotiating With Terrorists (where he writes about Ligotti’s use of U.G. Krishnamurti): “My own cosmic unease is, I think, far more open-ended than that of Ligotti. I honestly can’t see him ever changing his position, and it’s a position that has already concluded and closed.”  I doubt Crisp would want to be held down to that opinion as anything more than a tentative commentary, but it touches upon my own suspicion about Ligotti’s view.  I don’t mean to imply any criticism of Ligotti for I do sense that Ligotti’s writings are true to his experience (which, going by his own distinguishing between Lovecraft and Shakespeare, is something he values).  By quoting Crisp’s comment, I’m only trying to clarify the difference between Ligotti and certain other writers.  After all, restless inconclusiveness isn’t exactly a desirable state of being (which I’m pretty sure Crisp is well aware of).

Anyhow, the distinction here between these two kinds of writers is similar to the distinction I pointed out between William Irwin Thomson and Ken WilberIn my Enactivist post (linked above), I use MBTI and Hartmann’s boundary types (via George P. Hansen’s writing) to try to understand this difference.  Obviously, one could divide up writers in various ways, but this seems a fairly natural division that my mind often returns to.

For further analysis on types of writers, read the following blog post:

Fox and Hedgehog, Apollo and Dionysus

 

Conclusion: Different Perspectives

Many of the writers I’ve brought up disagree about different issues, and yet they’re a part of a web of relationships and ideas.  I wonder if the overall picture offers more insight than the opinion of any given writer.  These traditions of beliefs and lineages of ideas represent something greater than any individual.  I’d even go so far as to say that it shows a process of the cultural psyche collectively thinking out issues of importance, and certain people become focal points for where ideas converge and create new offspring.

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Note: There are many more connections that could be made.  I’m curious how other writers might fit in: Hardy, Baudelaire, Borges, Kafka and Blake; Gothic writers, Romanticists, Transcendentalists and Existentialists; the brothers of William James and Henry James; the Powys brothers; various philosophers such as Nietzsche and Pascal.  Et Cetera.  In particular, it could be fruitful to explore Lovecraft further.  He wrote both fiction and non-fiction.  Also, he was immensely influential as a writer and in terms of his relationsips as he corresponded with many people.  Another angle of connections would be organizations formed around the scholarship of specific people.  There is the Fortean Society and the C.G. Jung Institute in Zurich which were both formed during the lifetimes of Fort and Jung, but there is also the Joseph Campbell Foundation which was formed after Campbell’s death.  These organizations attracted many thinkers who also became well known for their own scholarship and writings.  Also, I could include the website Thomas Ligotti Online.  Ligotti is still alive, but he has such a cult following that a website (including a forum) was created by a fan.  This forum has attracted a number of other published weird fiction writers such as Quentin S. Crisp and Matt Cardin (both of whom write about the kinds of things I mention in this post).  There are also organizations such as the Esalen Institue which has attracted many diverse thinkers and has led to much cross-pollination of ideas.