I finally went to see the movie Avatar. It took me a while to convince my friend to go with me. He doesn’t usually like SciFi, but I think he enjoyed it. I can understand why this movie has made so much money. I’m glad I saw it and I’d be happy to watch it again.
I want to say something about the larger meaning and impact of this movie, but first I’ll point out my immediate response to it as entertainment. Even though it was mostly what I expected, I was pleasantly surprised by the high quality of its production. It was a truly immersive experience. It did, however, take me a while to get into.
First, I don’t often watch 3D movies and it was initially odd trying to get forget the rectangular screen framing the 3D effects. In a normal movie, it’s easier to forget the shape of the screen itself. That wasn’t really an annoyance per se… just something I was aware of.
The second thing was that the indigenous people of Pandora were essentially just very large blue Native Americans. Their language and facial features all had elements of the Native American people (along with bows and arrows and weird large horse-like creatures). I eventually just had to accept that large blue Native Americans could actually exist on other planets and just go with the story.
I’ve noticed that other reviewers have pointed out that the story isn’t all that original. That is true to an extent. White soldier goes native and helps the natives fight the evil invading military. There are many other movies with a more original vision of an alternative world, but the central conceit of the movie (the avatar bodies) was an original twist. I don’t care if a story is all that original as long as it is told well. Most stories aren’t original. Even the story of Jesus isn’t an original story and that has never lessened its popularity.
So, was the story of Avatar told well? I think so. I was immersed in the world. The character development was limited, but I genuinely cared for the fate of the characters and I was saddened when the large tree was destroyed. The movie probably would’ve been better if done as a trilogy. But, even as is, I was more than satisfied.
The real reason I wanted to write a review is because of thoughts I had of its larger cultural context. I have heard that conservatives really don’t like this movie. Even the Vatican made an official statement of criticism. I’m not surprised. I don’t think it’s an overestimation to say that this movie will have some impact on the collective attitude of our society. It is a movie that is full of messages and conveyed in a very entertaining and compelling way.
As an adult, this movie is impressive even if only for the special effects… but, to a child or young adult, this movie is the type of experience that could help shape the mindset of an entire generation. The youth today are already very liberal in most ways because of various demographic shifts. Conservatives dominated most of the twentieth century with their formulation of the cultural war. Conservatives have been very good at controlling the cultural narrative and the group that controls the narrative controls all social and political dialogue.
Liberals have been challenged in recent decades. The conservatives managed to reframe progressivism as socialism and communism, as big government, as intellectual elitism. But liberalism was never entirely limited to progressivism or not any simple notion of progressivism. The liberal vision was never solely or centrally about creating a new society. Rather, the liberal vision was about basic human rights, about empowering the common person.
Avatar has deep resonance with struggles that have been going on throughout US history and world history. I’m just about finished with my second reading of The Culture of Make Believe by Derrick Jensen. If you want to understand why this movie matters, read some of Jensen’s writings. Avatar is, in some ways, a simple story but it is also a story that is communicating some basic truths about our culture. The evil military guy may seem like an exaggerated stereotype. However, I would argue that he is a fairly realistic portrayal of a certain kind of person. Jensen goes into great detail about US history and there have been plenty of military (and non-military) people who have had the same basic attitude and who have said very similar things. Sadly, this character isn’t an exaggeration. There really have been (and still are) people like him and they really did try to get rid of any culture that got in the way of their ideology or profits. For certain, the US government’s treatment of Native Americans wasn’t an isolated event(s).
In the early 20th century, the workers union movement was connected with the beginnings of the civil rights movement. These progressive movements were led by working class people. For example, the Wobblies fought against unfair pay and immoral working conditions. What was interesting about the Wobblies is that they didn’t refuse blacks and women from joining. It was a truly egalitarian progressive movement that happened decades prior to Martin Luther King, jr. And, yes, the Wobblies were violently put down by the government.
The first World War undermined this movement even further because patriotism has a way of redirecting public outrage to convenient foreign enemies. In place of these progressive movements, arose the renewed KKK. The KKK was different in that its membership was mostly middle and upper class. The KKK was a gentlemen’s club and not an organization defending the common man… although it did play off the dissatisfaction and anger of the common man. This was the beginning of the conservative movement as we now know it. The beliefs of the KKK are essentially the same as the beliefs of present rightwingers (patriotic nationalism, anti-immigrant sentiments, traditional family, white culture/supremacy, and Christian fundamentalism; it was the KKK that was behind the early attempt in getting Creationism taught in public science classes). The story of the conservative movement has been that of true Americans fighting for the American Way, the American Dream. This “America”, of course, was a bit exclusionary toward a large portion of the population, but it appealed to all the people who mattered (i.e., those with power).
Even the moving speeches of MLK had a hard time of challenging the conservative narrative. Because MLK couldn’t change the popular narrative, the popularity of the civil rights movement mostly died with him. Ever since, liberals have been trying to communicate their message. Obama has been somewhat successful in awakening the progressive sense of hope, but he too hasn’t been able to find the narrative to empower this hope beyond speechmaking. Conservatives are just better at creating and controlling the political attitudes of the general public.
Still, not all is lost. Liberals seem more successful in using entertainment as a mode of communication. This is where conservatives have failed. The conservative ideology doesn’t fully appreciate the power (and the potential merits) of imagination, and the conservative movement did successfully limit creative freedom during the 20th century (Hollywood blacklists, Comic Book Code, etc). The conservative response to imagination is simply to fear it. Both conservatives and liberals understand the liberating potential of the arts and of popular entertainment.
In the late 20th century, the conservative oppression of the Cold War started to lessen. There was a tremendous explosion of cultural creativity that was combined with technological innovation. The liberals found the media for their message in movies, and special effects allowed them to communicate their message in ever more compelling ways. Star Wars was the first great use of movies to express the liberal vision. Following that, Blade Runner and the Matrix began to remind Americans of the true power of the liberal vision. The Boomers set the stage for all of this, but it took the GenXers to instill this liberal ethos into the very structures of our culture (e.g., the internet).
That brings us to the last decade when a new generation was coming of age. This new generation is the largest generation in US history and probably the most liberal generation in US history. The Millennials have grown up with liberal vision. Harry Potter has become central to their identity, and the message of Harry Potter is very liberal. Fantasy/SciFi in general is very liberal. Our culture has been slowly shifting towards liberalism, but I think Avatar might be a tipping point of sorts.
The improvement of special effects has unleashed the collective sense of imagination. Movies may seem like mindless entertainment, but the power of imagination shouldn’t be underestimated.
All of this reminds me of an incident from a several years ago. I went to hear a lady speak at the University of Iowa. It wasn’t exactly what I expected. The lady turned out to be a conservative Christian. She discussed popular culture and the entertainment industry from the view of conservative Christianity. She thought conservatives needed to use popular culture to communicate their ideology. There isn’t anything necessarily wrong about this attitude, but my sense was that this lady’s view (and the conservative view in general) had an extremely superficial comprehension of the value of imagination and creativity. Conservatives want to control entertainment for their purposes. The best example is how the Mormons like to spend money making movies with good Christian values, but these movies of course are never very popular.
Liberals don’t need to use imagination and creativity to express their ideology… or at least not in the way that conservatives try to do this. For liberals, imagination and creativity isn’t just a medium for their message. It is their message. The very act of imagining is inherent to the liberal attitude, the liberal view of reality. This can be understood in terms of Ernest Hartmann’s boundary types. Liberalism corresponds to the thin boundary type. Thin boundary means that a person’s experience demonstrates less distinction between dreaming and waking, between subjectivity and objectivity, between imagination and perception. Liberals don’t use imagination. Liberals live in imagination.
After listening to the conservative Christian lady speak, I went into the University library where there was a showing of William Blake’s art and writing. There couldn’t have been a better contrast between the conservative and liberal understanding of imagination. In Blake’s vision, imagination was something with the power to liberate. I don’t know if Blake was a visionary, but he was most definitely touching upon the visionary potential of imagination. It was imagination as self-expression, as celebration, as defiance of all oppressive forces.
Avatar isn’t on the same level as Blake. Even so, Avatar expresses the same liberal impulse. There is ideology in Avatar, but it’s ideology as a vision of reality. With liberals, ideology is expanded through imagination. With conservatives, imagination is constrained by ideology. Both may start with ideology, but go in different directions. The liberal impulse wants to escape or transform ideology into something greater. It’s not that conservatives don’t have a sense of something greater. It’s just that to conservatives ideology itself is an expression of that sense of something greater. Maybe it’s a difference between ideology as means vs ends.
Imagination has so much influence because it’s so easily dismissed. Entertainment beguiles our conscious mind and sneaks past our rational and ideological defenses. The most powerful stories are those that alter our very perception of reality. We don’t see imagination. We see through imagination. And it’s liberals who understand this best.
As such, Avatar is a vision of what imagination means in the world. Imagination is potential. We live in and embody imagination. The world is alive with the imaginal. To see this planet or any planet as an inanimate chunk of rock is a failure of imagination. Killing life for profit can only be accomplished if imagination is first killed. But imagination is an ever-present potential that can be reborn in any person. That would seem to be the message of Avatar.
Access: Public 
Marmalade 
I just read this from Matt Cardin’s The Teeming Brain:
The meaning of horror and “that dark sorcerer” Cormac McCarthy (with nods to Ligotti)
He quotes the following from Benjamin Percy:
Here is the comment I left at The Teeming Brain:
My judgment on whether a movie is torture porn would be to imagine myself as a sociopath and consider whether or not a particular movie would appeal to my sociopathic sensibilities and worldview. A deep thinking non-sociopath could possibly sense a profound existential dread in almost anything, but that doesn’t mean that was necessarily the intention of the makers of the film or the received experience of most viewers.
I’m not dismissive of portrayals of violence when used for a deeper expression of human reality. My opinion, though, is that violence can only achieve this when used sparingly. Otherwise, it more likely numbs one to possibility of existential dread. A better use of violence for this purpose is a movie such as Requiem for a Dream. Another movie that achieves this without any overt bloody gore is the less well known Kids.
As someone prone to depression, I’m more wary of the impact of torture porn and violence porn. I can’t shake the feeling that artists truly do have a moral responsibility to their viewers and to society as a whole, whether or not they want to accept this. It’s the fact that art can inspire people to great deeds and horrific acts that makes art so worthy. What we put out into the world is what we help to manifest. That is such a fundamental truth that too many people blindly and ignorantly dismiss.
That said, I would never want to forbid the use of extreme violence in movies. Like anything else, it is part of life. But art should inspire people to see beyond the violence toward compassion and understanding, toward existential insight or mortal wonder at our finitude. I personally don’t see movies like Saw achieving this, but maybe for a very small minority they might gain something worthy from such films. The question is whether what is gained by a small minority is great enough to offset the damage caused to the psyches of so many others, the moral numbing and societal disregard.
Enough preaching for now.
On another note, I woke up earlier today and a dream was lingering in my mind. All I could remember was being on a very long walk, an endlessly long walk. That was all there was to the dream. Going on and on and on. Then I remembered I had fell asleep listening to Cormac McCarthy’s The Road.
I haven’t read the book or seen the movie, but I have read several other books by McCarthy and the adaptations thereof. My friend is an even bigger fan of McCarthy which is how I discovered him back in the mid 1990s. I find his writing interesting, although I’m not as big of a fan of that description-laden style.
The Road seemed very different in style. McCarthy was holding back by leaving a lot out. There was a hyper-focus on the man and his son with the apocalyptic world a mere backdrop. There was a slogging repetitiveness to it which would have utterly failed if attempted by a lesser writer. I’ll have to read the book sometime to get the full sense of it.