“Man exists in language like a fly trapped in a bottle: that which it cannot see is precisely that through which it sees the world.”
~ Ludwig Wittgenstein
“As William Edwards Deming famously demonstrated, no system can understand itself, and why it does what it does, including the American social system. Not knowing shit about why your society does what it [does] makes for a pretty nasty case of existential unease. So we create institutions whose function is to pretend to know, which makes everyone feel better.”
~ Joe Bageant, America: Y Ur Peeps B So Dum?
“One important characteristic of language, according to Agamben, is that it is based on the presupposition of a subject to which it refers. Aristotle argued that language, ‘saying something about something’, necessarily brings about a distinction between a first ‘something’ (a subject) and a second ‘something’ (a predicate). And this is meaningful only if the first ‘something’ is presupposed . This subject, the immediate, the non-linguistic, is a presupposition of language. At the same time, language seems to precede the subject it presupposes; the world can only be known through language. That there is language that gives meaning and facilitates the transmission of this meaning is a presupposition that precedes every communication because communication always begins with language. 2
“Agamben compares our relationship with language with Wittgenstein’s image of a fly in a bottle: ‘Man exists in language like a fly trapped in a bottle: that which it cannot see is precisely that through which it sees the world.’ 3 According to Agamben, contemporary thought has recognized that we are imprisoned within the limits of the presuppositional structure of language, within this glass. But contemporary thought has not seen that it is possible to leave the glass (PO, 46).
Our age does indeed stand in front of language just as the man from the country in the parable stands in front of the door of the Law. What threatens thinking here is the possibility that thinking might find itself condemned to infinite negotiations with the doorkeeper or, even worse, that it might end by itself assuming the role of the doorkeeper who, without really blocking the entry, shelters the Nothing onto which the door opens. (HS, 54)
[ . . . ]
“What is compared in the parable , as for example in the messianic parables in the gospel of Matthew, is not only the kingdom of God with the terms used in the parables (a field in which wheat and weeds are mixed), but the discourse about the kingdom and the kingdom itself. In that sense, the messianic parables in Matthew are parables about language, for what is meant is language itself. And this, according to Agamben, is also the meaning of Kafka’s parable ‘On Parables’. Kafka is looking for a way beyond language that is only possible by becoming language itself; beyond the distinction between sign and what is signified:
If you’d follow the parables, you’d become parables yourselves and with that, free of the everyday struggle.(TR, 43) 17
“What Kafka indicates here, according to Agamben, is an indistinguishability between being and language. What does this process of becoming language look like? Agamben sees a hint of this in one of Kafka’s journal entries. On 18 October 1921, Kafka wrote in his journal:
Life calls again. It is entirely conceivable that life’s splendor forever lies in wait about each one of us in all its fullness, but veiled from view, deep down, invisible, far off. It is there, though, not hostile, not reluctant, not deaf. If you summon it by the right word, by its right name, it will come. This is the essence of magic, which does not create but summons. 18
“According to Agamben, this refers to an old tradition followed by the Kabbalists in which magic is, in essence , a science of secret names. Everything has its apparent name and a hidden name and those who know this hidden name have power over life and death and the death of those to whom this name belongs. But, Agamben proposes , there is also another tradition that holds that this secret name is not so much the key by which the magician can gain power over a subject as it is a monogram by which things can be liberated from language. The secret name is the name the being received in Eden. If it is spoken aloud, all its apparent names fall away; the whole Babel of names disappears. ‘To have a name is to be guilty. And justice, like magic, is nameless’ (P, 22). The secret name is the gesture that restores the creature to the unexpressed. Thus, Agamben argues, magic is not the secret knowledge of names and their transcendent meaning, but a breaking free from the name. ‘Happy and without a name, the creature knocks at the gates of the land of the magi, who speaks in gestures alone’ (P, 22).”
~ Anke Snoek, Agamben’s Joyful Kafka (pp. 110–118, Kindle Locations 2704-2883)